ART365 Art Museum Opening Artists' Group Exhibition

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February 29, 2024
12:02 pm

At a time when the international art market is changing rapidly and the structure of the industry is undergoing vigorous transformation, the art brokerage market, where East meets West, is also facing the introduction of new trends, revealing abundant business opportunities. At the end of the year in Taichung's seventh phase, where commercial offices stand in abundance, there is a strong artistic and cultural atmosphere, and while integrating the positive development of online galleries and physical art spaces, the ART365 Art Museum, which is planned under the integration of resources and funds from the arts and corporations, opened grandly and enthusiastically on the 27th amidst the industry's expectations. With a brand-new environment, unique art atmosphere, and professional managers, an eye-opening art gallery has made its debut in the midst of much anticipation, bringing surprises.

ART365 is committed to promoting Taiwan's local art aesthetics and providing multi-dimensional promotion of art brokerage, art curation, and exhibition activities, with the expectation that it can simultaneously create real economic benefits for online and offline exchanges of high-quality artworks, and give humanistic and commercial value and texture to aesthetics of life.

ART365 Art Museum, which integrates online gallery and physical art space, has recently held its grand opening exhibition at Phase 7 Mansion.

The opening exhibition of ART365 Museum of Art brings together the works of many famous artists, including Huang Yihui, Guo Zhengshen, Shao Starling, Liu Zuonai, Zhang Zhihong, Wang Shengping, Jiang Xinjing, Chen Dinghong, Chuang Successful Yau, Yuan Zhijing, Li Wenwu, Huang Wendong, Zhao Shixian, Hu Yulin, Zhang Xiuyan, Liao Fangyi, Liu Yanchen, Leung Yen-wei, and Lin Chih-hsien, etc. A total of 19 artists will participate in this event, and exchange and cooperate with viewers and market partners to actively respond to the diversified styles revealed by the dynamic operation of the art market, and create a unique mode of close interaction between art and the market. This event is a great opportunity to actively echo the diversified styles of the art market under the flexible operation, and to create a unique mode of close interaction between art and the market, and to create more bargaining chips for the dialogue with the audience and collectors, which is a double opportunity to shape the art brokerage and the market economy by professional introduction, so that the industry can build a dialogue in the concern.

The ART365 Museum's physical exhibition halls, with their quiet environment and bright lighting, are a venue for exchange between professional artists and collectors in Central Taiwan.

Click here to view: Participating Artists' Portfolio

Art director of ART365, Mufen Lai, said that Taiwan's art is rich in content and needs a solid commercial platform to promote it outside, and the significance of naming the gallery is to let the public come into contact with art 365 days a year, recognize and love art, and then let art enter into their lives to create a spiritual and physical elevation of their minds and bodies.ART365 is committed to promoting the aesthetics of local art in Taiwan with the online gallery as the main axle. At the same time when NFT and art brokers are on the rise, various industries are getting in touch with art and responding to the demand for art, and different forms of works are diverse in type and quality, covering gouache, watercolor, oil paintings, photography, goldsmithing, sculpture, calligraphy, ink, etc., where East meets West and the medium is elegant and interesting. Lai Mo-fen believes that it is particularly striking to combine 365 days of life with art and 365 days of spreading art in the hope that art and economy will be combined in a mutually complementary realm, and that with the advantage of flourishing and abundant cultural assets, the society will become affluent, and that new paths will be broken for the development of art.

Artist Guo Zhengshen from Hualien poses in front of his works "Yin" and "Yang".

Click to viewIntroduction to the work of Yin,Introduction to the works of "Yang

Yi-Ching Hong, Chairman of Thinker Network Marketing Co., Ltd. said that the company's creative and professional team to assist ART365 Art Museum's online art museum operations, upholding the belief that what is taken from the community is used by the community to participate in ART365 Art Museum's art feast, and the emerging and new generation of artists to rise and enter the online network and the power of the AI generation can be generated through the exposure, and the combination of the offline gallery, allowing artists to display their creations and the effective promotion of exhibition activities, which is a win-win situation. The combination of the offline gallery allows artists to showcase their creations and the exhibition activities to be effectively promoted, which can be said to be a win-win situation.

Artistic Director of ART365, Ms. Mufen Lai (right), and Chairman of Thinker Network Marketing Co.

The founder of ART365 Art Museum, Chairman Chen Kuo-ding, said that based on his love and appreciation of art, he creates art museums and art centers without distance with the belief of living art, and through the strategy of simultaneous activation of online and offline, ART365 Art Museum is positioned as an art bank of aesthetics, culture, and trust, and it also possesses a platform for collection and trading, cultural exchange, and the display of art functions, and he also hopes to promote themselves more extensively through the online platform in the form of network transmission and increase awareness, which in turn leads to the dual benefits of offline exchange and real economy. It is also a platform for collection and sale, cultural exchange, and artistic expression, and it is expected that emerging artists will be able to promote themselves more widely and increase their popularity through the online platform and network transmission, thus contributing to the dual benefits of offline communication and real economy.

Singaporean artist Wong Yee Hwee's oil on canvas painting "Years of Mountains and Rivers" is a visual extension of the openness of art.

Click here to see the introduction of the work of "The Years of Mountains and Rivers".

Mr. Tseng Neng-Ting, Deputy Director of the Taichung City Cultural Affairs Bureau, who attended the opening ceremony of ART365 Art Museum, said in his speech that artists have the energy and passion to create, but suffer from the lack of a platform for exchanges and expression. ART365 Art Museum, a two-story art space, displays works of Taiwanese artists from various fields; both physical and online exchanges and transactions, providing an art platform for the public to get close to the art and communicate with each other enthusiastically, and he firmly believes that a city with public-private collaboration is more conducive to the deepening of art roots and the flourishing of folk art dynamics. He also firmly believes that a city with public-private collaboration will be more conducive to the deepening of art roots, and the vitality of folk art will be more vigorous, and that a variety of artistic creations will be put down, presenting a mutually complementary vision for the entire city's makeup and colorfulness.

From left, Mr. Wang Yisheng, Chairman of Satisfaction, Ms. Mufen Lai, Artistic Director of ART365, and Mr. Tseng Neng-Ting, Deputy Director of the Taichung City Cultural Affairs Bureau, pose for a group photo at the event.

Mr. Chen's background as a financial manager, his knowledge of the capital market, his ability to grasp the benefits of investment, and his precise vision of project definition, paired with Director Mufen Lai, who has accumulated a wealth of practical experience in the art and culture market for many years, will surely attract a high degree of attention and enthusiasm in the Taiwan art market, and with the positive opportunities brought about by this new endeavor, the future of the ART365 Art Museum will be highly anticipated and eye-catching.

Click to book a visit now: 【Art365 Art Museum】365 Days a Year of Art Exploration

ART 365 Gallery Space

Tel: 04-22512787
Address：No.299, Lung Mun 1st Street, Xitun District, Taichung City, Taiwan.

Copyright© 2023- 2024 Believe Light Investment Co., Ltd, ART 365. Designed by Thoughtful Network Marketing Co.

Stream of Time - Wang Shengping Oil Painting Invitational Exhibition Conveys the Vision of Beauty

From now until May 29th, the Lugang Township Office will hold the "Stream of Time - Wang Shengping Oil Painting Invitational Exhibition" at the Lugang Guild Hall. This exhibition is a synthesis of Wang Shengping's understanding of painting in three different periods over the past 10 years. His creations are rooted in the belief that "beauty comes from harmony," and through the 47 pieces of creations, he conveys to the viewers a more intimate feeling of "beauty," welcoming those who are interested in art creation to come and visit the exhibition.

Mr. Wang Sheng-Ping, a native of Xiushui Township, Changhua County, has a Master's degree in Fine Arts from Da-Yeh University. He is currently the chairman of the French Salon Society of Taiwan Artists, and has also served as a part-time lecturer for the art class at Nanhua University-Changhua Social University and an external lecturer for the oil painting class at the Changhua County Cultural Affairs Bureau. In 2010, his painting "Hope" won the Bronze Medal at the Salon des Artistes in France and received unanimous international acclaim. He has also won numerous awards in China, and was awarded the third place in the 100th National Art Exhibition in 2013.

Wang Shengping's works in this exhibition are based on natural images and attempt to transform them into imagery, exploring the principles of painting in both the figurative and the sensual. In order to achieve the implementation of "materialization", Wang Shengping seeks for the visual imagery that is contained in nature in a more autonomous manner, and materializes the self-perception, giving the works a richer connotation and tension, in order to achieve the goal of creating works at this stage of the exhibition.

Wang Shengping said he has loved art since childhood, because of the family's poor, can only buy the cheapest Taiwan pigments, and only red, yellow, blue, white, black five colors, pigments are often because of the many times and reduce the degree of color, so that the picture is slightly dull, but he also took the opportunity to train a more pure, versatile color performance.

Lugang Mayor Xu Zhihong said, "It is an honor to invite Mr. Wang Shengping to exhibit at the Lugang Guild Hall. Through Mr. Wang Shengping's paintings, we can feel the themes and brushwork of his different periods, from the early days of the countryside, to the middle of the countryside with a variety of techniques to present a different countryside, and finally back to the contents of the surrounding life, and through these paintings, we can feel the beauty of a variety of different things.

With the recent severe epidemic, we are invariably under a lot of pressure. We hope that through this exhibition, we can let all the viewers experience the beauty of life and the countryside through Mr. Wang Shengping's artworks, release the tension and follow his brushwork on the canvas.

(Changhua News) [Reporter Yafang Chen/Changhua News

Source:LINE TODAY,Deer Harbor Township Cultural Center

Master Sculptor and Life Walker Spark Art in the Courthouse

Huang Wen-dong, a clerk, and Li Wen-wu, a contemporary sculptor, held a joint exhibition at the Taichung District Court under the facilitation of Taichung District Court President Jiang Xilin. Li Wen-wu, a sculptor who is an apprentice at the grassroots level, and Huang Wen-dong, an artist in the legal profession, are expected to create cultural sparks at the Taichung District Court.

In the early days, Li Wenwu focused on rare animal subjects, which were so lifelike that it was hard to tell if they were real or fake. Later, after coming into contact with religion and gaining a deeper understanding of it, and in view of the high demand for statues of gods and goddesses in the market, Li Wenwu developed his work towards statue carving. In his early years, he studied wood carving of flowers and birds in a fence with a Japanese master, laying the foundation of wood carving with a background in Chinese painting.

Huang Wen-dong came from a poor background. In junior high school, he set his mind to work in the court system because of the court sessions in the bystanders' hall, and he studied hard to become a clerk from the most basic level. However, because of the disease planted by his sleepless hard study, he began to cultivate his body and mind after being on the verge of death for several times, and more than 20 years ago, when he worked as the clerk of the Taichung District Court, with the support of the court, he created the Art Kitchen Window in the Taichung District Court, and has served as the curator until now.

Huang Wen-dong pointed out that the court was previously considered a government office, the desert of art, Taichung District Court Art Kitchen Window display of all the national exemption from censorship of the works of artists, has been held in photography, elegant stone, collection of exhibitions and many other exhibitions.

In recent years, Li Wenwu has taken two routes, one of which is to combine the techniques of wood carving and painting, and to use the myths, idols, and artifacts of Buddhism, Taoism, and Tantricism as the objects of creation, creating carvings and paintings full of religious mysteries.

In recent years the domestic popularity of Shen Xiang wood from Vietnam, due to the number of rare, soaring prices, become an investment target, Shen Xiang logs are worth a lot of money, more than gold, if then carved, the price is even more expensive! Li Wenwu pointed out that due to the Shen Xiang wood is too precious, carving can not carve off too much wood, and even wood shavings have to be collected, can be made into Shen Xiang powder.

Master carver Li Wenwu has been creating art for 46 years, creating his own artistic style and following his own path. Huang Wen-dong, who has worked in the judiciary for 35 years and is the curator of this exhibition, has specialized in art creation for 27 years. He has specialized in art creation for 27 years. This time, under the facilitation of Taichung District Court President Jiang Xilin, the two of them held a joint exhibition at the Taichung District Court Art Kitchen Window, which sparked off art in the courthouse.

Reporter/Song Chia-king Reported in Taichung

Source:NEWS

Artist Jiang Xinjing's 5-meter eye-catching creation "Yunxi, Arithmetic" is on display at the Founding Father's Memorial Hall.

A writer who has never held a paintbrush before has crossed over to the art world for ten years, living in the mountains and forests and creating works behind closed doors, but why has she made a big splash in recent years, winning awards both at home and abroad? Artist Chiang Hsin-ching's "Cloud Stream, Calculation - Chiang Hsin-ching's Creative Works Exhibition" presents the insights gained from living in the mountains and forests into an inspirational presentation. Two important works are the highlights of the exhibition: the first is the large-scale creation, "Cloud Stream, Calculation", and the second is the grand finale, "Flying Flames of the Ten Thousand Heavy Mountains", a six-curve Japanese screen, with their respective styles and the stories of their creations, and they are going to be exhibited at the De Ming Art Gallery, the Memorial Hall of the Father of the Nation, from November 22nd to 29th. The exhibition will be held from November 22 to 29 at the National Father's Memorial Hall's Deming Art Gallery.

Literary background and global experience of practice Jiang Xinjing 2020, more study tours, the Institute of Contemporary Ink Art, Shanghai Academy of Visual Arts, China Academy of Fine Arts Institute of Transmedia Art senior seminar, in-depth contemporary art and philosophy of technology, the development of the exhibition "Thinking Series", by many artists, including the National Father's Memorial Museum Director Wang Lansheng, also commented on the exhibition, "deconstructing the traditional landscapes and presenting the post-epidemic era of contemplation. The exhibition has been recognized by many artists, including Wang Lansheng, Director of the National Father's Memorial Museum, who commented that the exhibition "deconstructs traditional landscapes to present contemplation in the post epidemic era. Liu Guosong, the father of modern ink painting, said, "The process of learning to paint with a quiet mind is the practice of seeking differences before seeking excellence. I used to say in my teaching that we need to find a piece of white paper, but it seems that quietness is not just any paper, but a piece of paper that has 'traveled around the world and has the energy to do so', and that is what makes it possible to have such amazing performances in such a short period of time".

In addition, Prof. Ching Dai Lok, former head of the Department of Fine Arts of Normal University and an artist, acknowledged her work in the "Class‧Shanshui Creation Exhibition" in September, saying that she approaches art from the perspective of a literati, and that her works "are free from the constraints and influences of traditions, and she boldly tries to make mistakes, pursuing the purity and texture of her works, which is a breath of fresh air in the art world". They all recognized her ability to create and her "human" oriented spirit.

A rare exhibition of her large-scale masterpieces, "The Cloud and Stream Calculations" The year 2020 was a turning point for Jiang Xinjing's art. She said that her studies and exhibitions were halted due to the impact of the epidemic, but her inner drive to create was burning, and she moved to the mountains in order to find more space for her creations. This year's exhibition will feature a large-scale work, "Yunxi Calculations - Si-Net Series," which is five meters wide and has been selected for the second time this year as one of Taiwan's newest art awards. The upper image uses topography, dyeing, spraying, painting, and flowing to interpret the changes of clouds and mist in the valley, while the lower image uses one-time writing to present the changes of the water in Dajia Creek, with the white space in the middle symbolizing the openness of the universe."

Jiang Xinjing explains that he lives in the mountains during the creative process, and when it rains, the clouds rise from the mountains along the Dajia River, gathering the spirit of the mountains. I thought the "white space" of ink and wash was an aesthetic of emptiness, but in fact, the clouds, which wipe away the scenery in a flash, are themselves solid and full of power. In the six months of sleepless creation, the evolution of clouds and streams creates a space for contemplation and meditation beyond the algorithm.

Prof. Xie Qichang, the curator of the exhibition, said that the exhibition is mainly composed of new works, combining text, ink and installation, and the interplay of different media, especially this work, which "presents a contemporary vision of humanism," is the highlight. In addition, artist Zhuang Liantong, a professor at the Department of Fine Arts of the National Taiwan Normal University, also liked her work and pointed out that it was rare for her to present "majestic momentum" and "unrestrained charm" in her abstract ink and colors.

The finale of Jiang Xinjing's exhibition is "Flying Flames of Ten Thousand Mountains," inspired by a cycling trip to Sweden in the fall of 2001, where the cold weather and the maples all over the mountains ignited a youthful passion that she had no regrets about. Xin Jing used ink wash, stone green coloring, pine needle brush strokes, and gold leaf stacking to complete the six panels of "Flying Flames of Ten Thousand Heavy Mountains," recreating the memory of the burning autumn scenery of northern China.

And in accordance with the ancient method of making 〈Flying Flame Wan Chong Shan〉 six curved gold leaf screen, the cause is the heart of the quiet and deep love of the "Dream of the Red Chamber" and "The Tale of Genji" in the book of the screen, the timing, location and people, to find the three national treasures of conservationists to collaborate with the wooden lattice with the Kataten, without a nail, glued on five or six layers of paper to become a hollow paper frame, the outer frame of the yellow pear, the back of the frame of the Japanese brocade, the heart of the painting using the digging framing, no splicing marks, can be 360 degrees rotation, the perfect combination of contemporary art and craftsmanship. This is a perfect combination of contemporary art and craftsmanship.

The "Cloudy River, Arithmetic - Creative Works by Jiang Xinjing" will be on display from November 22nd. On November 25th, dancer Zhou Zhangxian will be invited to perform "Cloudy River, Arithmetic" in front of a piece of artwork, accompanied by "Flowing Water" composed by guqin virtuoso Joon Kwan Chen, which will start a multi-disciplinary dialogue between dance, music, and literary arts. People interested in painting are welcome to visit the De Ming Gallery of the National Father's Memorial Hall during the exhibition period to enjoy this not-to-be-missed visual feast.

Source: 2023/11/20 Luang Yuet Reads

2022 White Paper on the Human Body--Double Exhibition of Zheng Hongzhang+Guo Zhengshen

Nakedness is an innate nature, when people come into the world they are naked. We are free to take in the world, but slowly we feel the pressure, the coldness, the different eyes, everything is waiting to be wrapped up, to be educated, including our bodies and behaviors. We often lose the autonomy and voice of the body, and at the same time we forget to recognize our body and see ourselves. The body develops vocabulary and behavior, it can become an actor, a dancer, a movement artist. The body's lines of expression, through painting and art, revisit the superficiality of the skin.

　Zheng Hongzhang's series of female nudes is a multi-faceted confession of the artist's inner feelings after many years of creation. The female body in the paintings is like a metaphor for the abstract landscape. The female body and the frame co-structure a kind of unyielding silence, which is harnessed by a low-color grey that takes you on a journey through the female mind, stress or growth. The female body is no longer objectified into a single image, but they are indulgently beautiful. The relationship between the background and the female body is an understated and harmonious gray color scheme, outlining the colorful clothes on the nude woman, either removed or draped. The personalities of the characters are clearly defined, but in an understated jazzy tone, languid or relaxed, arrogant or confident.

　Guo Zhengshen's male nudes are a stylistic breakthrough after abstraction, modern landscape and vase flower. The male bodies in the paintings are covered by high and low color pigments, the simple color palette seems to cover up the impact of each character, and the ever-changing gestures and nudity inadvertently give off a lot of male pheromones. The male privacy is revealed one by one, but it is perfectly sealed in another way. These nude works present the concept of nudity, but not nudity. Guo's nude men are self-identified, conservative, taboo, open, subversive, exploring their bodies over and over again, from the tone of the color blocking, the linear connection and tension, the pink masculinity, to the exhaustive and infinite space for thought.

　The joint exhibition of Zheng Hongzhang's female body and Guo Zhengshen's male body not only realizes the difference in the artists' gender roles, the micro-creations created by heterosexuals looking at heterosexuals and homosexuals looking at homosexuals, and the juxtaposition of nude men's and women's creations, but also realizes the different perspectives and development of nude art of the two artists. When we look at the confrontation, harmonization, impact, and influence of these two genders' paintings, the nudity no longer becomes the paintings themselves, but a more naked view of our inner self. The nudity is no longer the paintings themselves, but a more naked look into our hearts.

Source:Artist Magazine

ART365 Art Museum Opening Artists' Group Exhibition

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