Walking Memory" Solo Exhibition by Chen Jieqiang - An Innovative Fusion of Technology and Art

Home - Exhibitions - Walking Memory" Solo Exhibition by Chen Jieqiang - An Innovative Fusion of Technology and Art

August 16, 2024
12:39 pm

The solo exhibition "Walking Memory" by Malaysian painter Tan Kit Keong is undoubtedly a bright pearl among the diverse forms of modern art.

《行走的記憶》陳傑強個展 - 科技與藝術的創新融合 — Walking Memory - Chen Jieqiang Solo Exhibition

This exhibition is a perfect fusion of science fiction and art, and each piece of artwork demonstrates Chen Jieqiang's profound thoughts on the interaction between robots and human emotions, challenging the audience's existing perception of the relationship between the concrete and the abstract.

Scroll down to learn more about the Walking Memory exhibition and to book a free tour.

Walking Memory Exhibition Information

｜reschedule (a debt): 2024/08/15 - 2024/09/29
｜Time: Weekdays 13:00-18:00; mornings and holidays by appointment only
｜Location：Art365 Art Museum (No. 299, Lung Men 1 St., Xitun District, Taichung City)
｜Fare: Free Admission
｜Artists::CHAN KIT KEUNG
｜Official Website: Art365Online Gallery

Appointment

How to book Chen Jieqiang's solo exhibition - Walking Memory?

1. Enter the Art365 Gallery.Online GalleryOfficial Website
2. Click on "Book a Tour" to go to the official LINE.
3. Click on "Reserve a Tour" and enter your reservation information.

Online Gallery Official LINE

Walking Memory Exhibition

Chen Jieqiang's solo exhibition "Walking Memory" successfully portrays a robot in the sci-fi world with delicate brushstrokes and rich color overlays, contrasting the robot's cold appearance and inner emotions.

The image of the robot depicted in each piece of artwork is the crystallization of Chen Jieqiang's countless technical experiments, which not only focuses on the exterior design of the robot, but also digs deeper into its inner emotional expression, so that the viewer, when viewing the artwork, seems to be able to feel the inner world of the robot.

Walking Memory Exhibition Features

Combination of Art and Technology

In creating his "Walking Memory" works, Chen Jieqiang utilized many scratching techniques, such as scratching instead of clear framing lines, to ensure the delicacy and texture of each painting.

The use of these painting techniques allows his works to maintain the artistic quality of traditional oil paintings while incorporating his own original painting style, demonstrating a fascinating narrative ability.

Chen Jieqiang's works use unseasoned oils to lay out the main body of the object in his own style, and seven of his works are in the ASUS Neihu Headquarters collection.

Elegant and professional artistic interpretation of the language style

In "Walking Memory", Chen Jieqiang not only demonstrates his excellent artistic skills, but also conveys the profound recollection of childhood memories through his works.

These robot figures are not only cold metal bodies, but also represent the toy models of "childhood", the trivial fragments of life.

This complex expression of emotion makes each work a trigger for the viewer to contemplate the relationship between family memories, childhood imagination and identity.

Visual and Emotional Impact

Chen Jieqiang's works not only have a strong visual impact, but also evoke emotional resonance in the audience, making the exhibition an artistic experience full of thoughts and feelings.

Meet the Walking Memory Exhibition Artist - Chan Kit Keung

《行走的記憶》陳傑強個展 - 科技結合藝術創新表達 — Chen Jieqiang - Art365 Online Artist

Chen Jieqiang is a highly regarded emerging artist who is rapidly rising in the contemporary art world with his unique perspective and innovative approach.

Mr. Chen Jieqiang's works are a fusion of tradition and modernity, and he has become a representative figure of the young generation of artists by expressing his profound thoughts on social phenomena through his unique artistic language.

Mr CHAN Kit-keung once said.One's own creations have been reflecting all that life has to offer and looking at the scene in one's dwelling.

From the very beginning, I painted toys and models because they were my lost and unrecoverable childhood memories, and by re-painting those toys, I was able to recapture my childhood memories.

I added a blurred background to the toys to convey my vague sense of my hometown and memories of the past.

For me, the canvas is like a theater, where a flat space can be transformed into another small box with just a few strokes. In the canvas, I am the director, arranging all the scenes: the light, the plot, the characters and the editing."

Early Experiences and Artistic Enlightenment

Born into a family of artists, Chen Jieqiang has shown a strong interest in painting since he was a child. His artistic enlightenment came from his family's environment, where his parents were both art practitioners, which exposed him to a wealth of artistic resources and knowledge at an early age.

As a teenager, Chan Kit Keung began to experiment with different forms of art, from sketching to sculpture, his artistic expressions are diverse and full of creativity.

Artistic Style and Creative Philosophy

Chen Jieqiang's creative style is unique, combining traditional art techniques with modern digital technology to create a new visual experience.

His works often explore various phenomena in society, from interpersonal alienation in the process of urbanization to the ethical challenges brought about by technological advancement, Chen Jieqiang throws out propositions worthy of contemplation to the viewers one after another through his works.

Chen Jieqiang believes that art is not only an expression of beauty, but also a way of dialog. He strives to balance conceptual and visual expression in his works, and through the use of colors, lines and materials, he expresses his reflection and criticism of the contemporary society.

Exhibitions and Honors

Chen Jieqiang's works have been exhibited in many important exhibitions both at home and abroad, and he has received numerous honors and awards. His solo exhibition "Walking Memory" has attracted widespread attention in the international art world. The works in the exhibition demonstrate his deep understanding and expression of science fiction themes, making him a rising star in the field of contemporary art.

In addition, Chen Jieqiang has participated in many international art fairs and his works have been favored by collectors from all over the world. In just a few years, he has gained a foothold in the art market and has become one of the leading young artists.

More aboutCHAN KIT KEUNGFor a teacher's introduction, please go to Art365 Online Gallery ArtistsIntroduction to Understanding.

How to buy Chen Jieqiang's paintings? On-site inquiry, online gallery

Chen Jieqiang's solo exhibition "Walking Memory" paintings can be purchased by inquiring at the venue and online at Art365 Art Museum.

On-site Inquiries

For those who are visiting the exhibition of Chan Kit Keung, they can ask the staff directly at the venue about the purchase channels.

At the exhibition, you will be able to get up close and personal with the details and concept of each painting, as well as contact the artists or their agents directly to discuss purchasing the paintings.

Online Gallery Purchase

ART365 online gallery provides online purchase, complete introduction service of Mr. Chen Jieqiang's works, through a simple reservation process, and complete the purchase in a convenient time.

ART365 online gallery not only provides detailed introduction of artworks, but also has professional customer service to answer all your purchase-related questions.

ART365 founder Chen Kuo-ding shared that the museum is committed to promoting Taiwan's local art creations, and invited the public to ART365 to enjoy the different "Robots Special Exhibition" under the pen of Chen Chieh-keung.

For more information about the exhibition, please click here.Click the button below to book your purchase at ART365 online gallery now!The

Reservation

Conclusion

Chen Jieqiang's solo exhibition "Walking Memory" is not only an innovative exploration of visual art, but also a profound reflection on the intertwined relationship between childhood toys and human emotions.

By combining traditional oil painting techniques with a single object that recalls childhood, it successfully triggers the community's imagination to recall the past.

This exhibition demonstrates the infinite possibilities of art and technology, and reinforces Chan Kit Keung's position in the contemporary art world. Whether you are an art lover or a toy aficionado, this exhibition provides a rare opportunity to re-examine our reality and our past.

If you would like to visit Mr. Chen Jieqiang's exhibition "Walking Memory", please go toOnline Gallery Art365 Art Museum booking, the system will immediately arrange the exhibition time and buy art service for you.

ART 365 Gallery Space

Tel: 04-22512787
Address：No.299, Lung Mun 1st Street, Xitun District, Taichung City, Taiwan.

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Stream of Time - Wang Shengping Oil Painting Invitational Exhibition Conveys the Vision of Beauty

From now until May 29th, the Lugang Township Office will hold the "Stream of Time - Wang Shengping Oil Painting Invitational Exhibition" at the Lugang Guild Hall. This exhibition is a synthesis of Wang Shengping's understanding of painting in three different periods over the past 10 years. His creations are rooted in the belief that "beauty comes from harmony," and through the 47 pieces of creations, he conveys to the viewers a more intimate feeling of "beauty," welcoming those who are interested in art creation to come and visit the exhibition.

Mr. Wang Sheng-Ping, a native of Xiushui Township, Changhua County, has a Master's degree in Fine Arts from Da-Yeh University. He is currently the chairman of the French Salon Society of Taiwan Artists, and has also served as a part-time lecturer for the art class at Nanhua University-Changhua Social University and an external lecturer for the oil painting class at the Changhua County Cultural Affairs Bureau. In 2010, his painting "Hope" won the Bronze Medal at the Salon des Artistes in France and received unanimous international acclaim. He has also won numerous awards in China, and was awarded the third place in the 100th National Art Exhibition in 2013.

Wang Shengping's works in this exhibition are based on natural images and attempt to transform them into imagery, exploring the principles of painting in both the figurative and the sensual. In order to achieve the implementation of "materialization", Wang Shengping seeks for the visual imagery that is contained in nature in a more autonomous manner, and materializes the self-perception, giving the works a richer connotation and tension, in order to achieve the goal of creating works at this stage of the exhibition.

Wang Shengping said he has loved art since childhood, because of the family's poor, can only buy the cheapest Taiwan pigments, and only red, yellow, blue, white, black five colors, pigments are often because of the many times and reduce the degree of color, so that the picture is slightly dull, but he also took the opportunity to train a more pure, versatile color performance.

Lugang Mayor Xu Zhihong said, "It is an honor to invite Mr. Wang Shengping to exhibit at the Lugang Guild Hall. Through Mr. Wang Shengping's paintings, we can feel the themes and brushwork of his different periods, from the early days of the countryside, to the middle of the countryside with a variety of techniques to present a different countryside, and finally back to the contents of the surrounding life, and through these paintings, we can feel the beauty of a variety of different things.

With the recent severe epidemic, we are invariably under a lot of pressure. We hope that through this exhibition, we can let all the viewers experience the beauty of life and the countryside through Mr. Wang Shengping's artworks, release the tension and follow his brushwork on the canvas.

(Changhua News) [Reporter Yafang Chen/Changhua News

Source:LINE TODAY,Deer Harbor Township Cultural Center

Master Sculptor and Life Walker Spark Art in the Courthouse

Huang Wen-dong, a clerk, and Li Wen-wu, a contemporary sculptor, held a joint exhibition at the Taichung District Court under the facilitation of Taichung District Court President Jiang Xilin. Li Wen-wu, a sculptor who is an apprentice at the grassroots level, and Huang Wen-dong, an artist in the legal profession, are expected to create cultural sparks at the Taichung District Court.

In the early days, Li Wenwu focused on rare animal subjects, which were so lifelike that it was hard to tell if they were real or fake. Later, after coming into contact with religion and gaining a deeper understanding of it, and in view of the high demand for statues of gods and goddesses in the market, Li Wenwu developed his work towards statue carving. In his early years, he studied wood carving of flowers and birds in a fence with a Japanese master, laying the foundation of wood carving with a background in Chinese painting.

Huang Wen-dong came from a poor background. In junior high school, he set his mind to work in the court system because of the court sessions in the bystanders' hall, and he studied hard to become a clerk from the most basic level. However, because of the disease planted by his sleepless hard study, he began to cultivate his body and mind after being on the verge of death for several times, and more than 20 years ago, when he worked as the clerk of the Taichung District Court, with the support of the court, he created the Art Kitchen Window in the Taichung District Court, and has served as the curator until now.

Huang Wen-dong pointed out that the court was previously considered a government office, the desert of art, Taichung District Court Art Kitchen Window display of all the national exemption from censorship of the works of artists, has been held in photography, elegant stone, collection of exhibitions and many other exhibitions.

In recent years, Li Wenwu has taken two routes, one of which is to combine the techniques of wood carving and painting, and to use the myths, idols, and artifacts of Buddhism, Taoism, and Tantricism as the objects of creation, creating carvings and paintings full of religious mysteries.

In recent years the domestic popularity of Shen Xiang wood from Vietnam, due to the number of rare, soaring prices, become an investment target, Shen Xiang logs are worth a lot of money, more than gold, if then carved, the price is even more expensive! Li Wenwu pointed out that due to the Shen Xiang wood is too precious, carving can not carve off too much wood, and even wood shavings have to be collected, can be made into Shen Xiang powder.

Master carver Li Wenwu has been creating art for 46 years, creating his own artistic style and following his own path. Huang Wen-dong, who has worked in the judiciary for 35 years and is the curator of this exhibition, has specialized in art creation for 27 years. He has specialized in art creation for 27 years. This time, under the facilitation of Taichung District Court President Jiang Xilin, the two of them held a joint exhibition at the Taichung District Court Art Kitchen Window, which sparked off art in the courthouse.

Reporter/Song Chia-king Reported in Taichung

Source:NEWS

Artist Jiang Xinjing's 5-meter eye-catching creation "Yunxi, Arithmetic" is on display at the Founding Father's Memorial Hall.

A writer who has never held a paintbrush before has crossed over to the art world for ten years, living in the mountains and forests and creating works behind closed doors, but why has she made a big splash in recent years, winning awards both at home and abroad? Artist Chiang Hsin-ching's "Cloud Stream, Calculation - Chiang Hsin-ching's Creative Works Exhibition" presents the insights gained from living in the mountains and forests into an inspirational presentation. Two important works are the highlights of the exhibition: the first is the large-scale creation, "Cloud Stream, Calculation", and the second is the grand finale, "Flying Flames of the Ten Thousand Heavy Mountains", a six-curve Japanese screen, with their respective styles and the stories of their creations, and they are going to be exhibited at the De Ming Art Gallery, the Memorial Hall of the Father of the Nation, from November 22nd to 29th. The exhibition will be held from November 22 to 29 at the National Father's Memorial Hall's Deming Art Gallery.

Literary background and global experience of practice Jiang Xinjing 2020, more study tours, the Institute of Contemporary Ink Art, Shanghai Academy of Visual Arts, China Academy of Fine Arts Institute of Transmedia Art senior seminar, in-depth contemporary art and philosophy of technology, the development of the exhibition "Thinking Series", by many artists, including the National Father's Memorial Museum Director Wang Lansheng, also commented on the exhibition, "deconstructing the traditional landscapes and presenting the post-epidemic era of contemplation. The exhibition has been recognized by many artists, including Wang Lansheng, Director of the National Father's Memorial Museum, who commented that the exhibition "deconstructs traditional landscapes to present contemplation in the post epidemic era. Liu Guosong, the father of modern ink painting, said, "The process of learning to paint with a quiet mind is the practice of seeking differences before seeking excellence. I used to say in my teaching that we need to find a piece of white paper, but it seems that quietness is not just any paper, but a piece of paper that has 'traveled around the world and has the energy to do so', and that is what makes it possible to have such amazing performances in such a short period of time".

In addition, Prof. Ching Dai Lok, former head of the Department of Fine Arts of Normal University and an artist, acknowledged her work in the "Class‧Shanshui Creation Exhibition" in September, saying that she approaches art from the perspective of a literati, and that her works "are free from the constraints and influences of traditions, and she boldly tries to make mistakes, pursuing the purity and texture of her works, which is a breath of fresh air in the art world". They all recognized her ability to create and her "human" oriented spirit.

A rare exhibition of her large-scale masterpieces, "The Cloud and Stream Calculations" The year 2020 was a turning point for Jiang Xinjing's art. She said that her studies and exhibitions were halted due to the impact of the epidemic, but her inner drive to create was burning, and she moved to the mountains in order to find more space for her creations. This year's exhibition will feature a large-scale work, "Yunxi Calculations - Si-Net Series," which is five meters wide and has been selected for the second time this year as one of Taiwan's newest art awards. The upper image uses topography, dyeing, spraying, painting, and flowing to interpret the changes of clouds and mist in the valley, while the lower image uses one-time writing to present the changes of the water in Dajia Creek, with the white space in the middle symbolizing the openness of the universe."

Jiang Xinjing explains that he lives in the mountains during the creative process, and when it rains, the clouds rise from the mountains along the Dajia River, gathering the spirit of the mountains. I thought the "white space" of ink and wash was an aesthetic of emptiness, but in fact, the clouds, which wipe away the scenery in a flash, are themselves solid and full of power. In the six months of sleepless creation, the evolution of clouds and streams creates a space for contemplation and meditation beyond the algorithm.

Prof. Xie Qichang, the curator of the exhibition, said that the exhibition is mainly composed of new works, combining text, ink and installation, and the interplay of different media, especially this work, which "presents a contemporary vision of humanism," is the highlight. In addition, artist Zhuang Liantong, a professor at the Department of Fine Arts of the National Taiwan Normal University, also liked her work and pointed out that it was rare for her to present "majestic momentum" and "unrestrained charm" in her abstract ink and colors.

The finale of Jiang Xinjing's exhibition is "Flying Flames of Ten Thousand Mountains," inspired by a cycling trip to Sweden in the fall of 2001, where the cold weather and the maples all over the mountains ignited a youthful passion that she had no regrets about. Xin Jing used ink wash, stone green coloring, pine needle brush strokes, and gold leaf stacking to complete the six panels of "Flying Flames of Ten Thousand Heavy Mountains," recreating the memory of the burning autumn scenery of northern China.

And in accordance with the ancient method of making 〈Flying Flame Wan Chong Shan〉 six curved gold leaf screen, the cause is the heart of the quiet and deep love of the "Dream of the Red Chamber" and "The Tale of Genji" in the book of the screen, the timing, location and people, to find the three national treasures of conservationists to collaborate with the wooden lattice with the Kataten, without a nail, glued on five or six layers of paper to become a hollow paper frame, the outer frame of the yellow pear, the back of the frame of the Japanese brocade, the heart of the painting using the digging framing, no splicing marks, can be 360 degrees rotation, the perfect combination of contemporary art and craftsmanship. This is a perfect combination of contemporary art and craftsmanship.

The "Cloudy River, Arithmetic - Creative Works by Jiang Xinjing" will be on display from November 22nd. On November 25th, dancer Zhou Zhangxian will be invited to perform "Cloudy River, Arithmetic" in front of a piece of artwork, accompanied by "Flowing Water" composed by guqin virtuoso Joon Kwan Chen, which will start a multi-disciplinary dialogue between dance, music, and literary arts. People interested in painting are welcome to visit the De Ming Gallery of the National Father's Memorial Hall during the exhibition period to enjoy this not-to-be-missed visual feast.

Source: 2023/11/20 Luang Yuet Reads

2022 White Paper on the Human Body--Double Exhibition of Zheng Hongzhang+Guo Zhengshen

Nakedness is an innate nature, when people come into the world they are naked. We are free to take in the world, but slowly we feel the pressure, the coldness, the different eyes, everything is waiting to be wrapped up, to be educated, including our bodies and behaviors. We often lose the autonomy and voice of the body, and at the same time we forget to recognize our body and see ourselves. The body develops vocabulary and behavior, it can become an actor, a dancer, a movement artist. The body's lines of expression, through painting and art, revisit the superficiality of the skin.

　Zheng Hongzhang's series of female nudes is a multi-faceted confession of the artist's inner feelings after many years of creation. The female body in the paintings is like a metaphor for the abstract landscape. The female body and the frame co-structure a kind of unyielding silence, which is harnessed by a low-color grey that takes you on a journey through the female mind, stress or growth. The female body is no longer objectified into a single image, but they are indulgently beautiful. The relationship between the background and the female body is an understated and harmonious gray color scheme, outlining the colorful clothes on the nude woman, either removed or draped. The personalities of the characters are clearly defined, but in an understated jazzy tone, languid or relaxed, arrogant or confident.

　Guo Zhengshen's male nudes are a stylistic breakthrough after abstraction, modern landscape and vase flower. The male bodies in the paintings are covered by high and low color pigments, the simple color palette seems to cover up the impact of each character, and the ever-changing gestures and nudity inadvertently give off a lot of male pheromones. The male privacy is revealed one by one, but it is perfectly sealed in another way. These nude works present the concept of nudity, but not nudity. Guo's nude men are self-identified, conservative, taboo, open, subversive, exploring their bodies over and over again, from the tone of the color blocking, the linear connection and tension, the pink masculinity, to the exhaustive and infinite space for thought.

　The joint exhibition of Zheng Hongzhang's female body and Guo Zhengshen's male body not only realizes the difference in the artists' gender roles, the micro-creations created by heterosexuals looking at heterosexuals and homosexuals looking at homosexuals, and the juxtaposition of nude men's and women's creations, but also realizes the different perspectives and development of nude art of the two artists. When we look at the confrontation, harmonization, impact, and influence of these two genders' paintings, the nudity no longer becomes the paintings themselves, but a more naked view of our inner self. The nudity is no longer the paintings themselves, but a more naked look into our hearts.

Source:Artist Magazine